Eks the one dj software

He regularly speaks at DJ seminars and events worldwide. Click here. Copy Link Copied! Last updated 26 November, The One: DJ software rethought. The One boasts a modular audio routing system that allows effects and mixers to be assigned to anywhere in the audio chain — meaning that effects can be placed between players and mixer, or used as master effects, for instance Finally, it is Midi mappable to DJ controllers, although there is no word on what controllers it will work with out-of-the-box as yet.

The One's modular audio routing system allows effects and mixers to be assigned to anywhere in the audio chain - meaning that effects can be placed between players and mixer, or used as master effects. The One is also designed to fully utilize the possibilities offered by today's and tomorrow's DJ controllers via advanced midi mapping possibilities. We set out to fix these things. Of course we are also privileged to have very talented and innovative programmers involved in this project to make it all possible.

A feature packed premium edition will be released later in Pricing for premium edition has not been set at this time. For additional information on The One software, please contact info whoistheone. Audio Artery was formed in by a select group of DJs and software engineers who shared the same vision and passion for code. Geschrieben von: Frank Hahn. Great site.

A lot of helpful information here. I am sending it to a few friends ans also sharing in delicious. You can save any Layouts you create, and you have flexible audio routing options. The Overview tab in the Menu Bar brings up a display that shows you the current audio signal path.

You can send the audio of any Player to any effects deck or mixer, and you can place effects before or after the mixer pre- or post-fader. As another option, One DJ supports multiple audio interface outputs, so you could send the audio of any Player out to different hardware. The fairly standard Browser reads your iTunes Library, your local hard drive, any networked hard drives or media servers, and also has a tree folder for the One DJ Library tracks whether analyzed or unanalyzed.

You can click on any folder and click the Analyze Folder button below the file tree as a convenience. If you click on an iTunes playlist, it shows all the metadata for the tracks in the Browser as it should. In addition to having good-sounding audio all around, One DJ includes 12 high-quality—and of course, tempo synced—effects. You can put as many of them in an effects rack as you want, and activate as many as you want, but only one can be selected for adjustment at a time.

The Mixer modules automatically add a track for any Player feeding it audio. You can collapse any of those components to save space while leaving them active. The Players, or decks, represent the crux of the One DJ workflow. When you drag a track into one from the Browser, it looks much like any other DJ software deck, with a large scrolling waveform and a small, complete waveform for viewing and jumping around the track. You could stop there and use the Players as standard Decks, or you took take the plunge into the generous and powerful Timeline Edit features.

If you drag a second track into a Player, you have the option to replace the first one, or to add the second one to the Timeline. In this mode, you can drag audio files of any length into as many tracks within a single Player as you want. You can move, crop, split, cut, copy, and paste the audio files to create custom edits as complex as you want, all while the music is playing.

You can drag the ends of clips to create instant loops of any length, or drag the clips to stretch them to the exact length you want them to be, either shorter or longer.

Whether you use the Timeline Edits in real-time for a performance or use it to create sophisticated track edits, remixes, and mashups, you can save the edits for later in the Collections folder in the browser, and drag them back into a Player to use again. The edits are non-destructive, so the original files remain intact.

You can also bounce the edits to a disk a WAV file for you to re-use or distribute as a single mash-up, or even an entire DJ mix. From edit mode, you can also apply volume and three bands of EQ automation curves to any of the audio clips. While Timeline Edit mode can be very powerful, it is also very mouse-centric , and in that way does resemble a DAW software more than typical DJ software.

It will flow best if you have a two-button mouse with scroll wheel attached, rather than for instance the single-button trackpad mouse of a MacBook. I also think it could help for Audio Artery to make use of the standard established keyboard shortcuts for functions like cut, copy and paste. Currently, such functions are done a bit differently than is the norm, so it may take some people longer to be accustomed enough with the workflow to feel confident with creating live remixes with Timeline Edits.